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Entertainment News – ‘Penny Dreadful: City of Angels’ creator on confronting the horrors of our reality with the finale

Entertainment News – ‘Penny Dreadful: City of Angels’ creator on confronting the horrors of our reality with the finale

Entertainment News –

Cent Dreadful: City of Angels.

Warning: Spoilers from the Penny Dreadful: City of Angels season 1 finale are talked about in this short article.

Truth, as the world seems to continuously advise John Logan, can be much more terrible than any supernatural scare.

When Logan returned years later on to make another Cent Dreadful, a narratively separate spiritual descendant subtitled City of Angels, he challenged that idea more head-on– and the results continue to grow in awful poignancy.

Set in 1938 Los Angeles, the best episode rewound time to the building of the Arroyo Seco Parkway, which threatened to “construct a wall” through Mexican American communities. As the season progressed, Tiago Vega (Daniel Zovatto), the first Chicano LAPD detective, grappled with his obligation to support the law with the vehement white supremacy and bigotry that penetrated the force.

It’s been “unnerving” for Logan, stuck at home in lockdown in modern-day L.A., to look outside his window and see the same sort of events play out in genuine time.

With the season 1 ending of Cent Dreadful: City of Angels now behind him, Logan reflects on the show, the looming outside forces in 2020, those last chaotic moments, and where the story goes from here.

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HOME ENTERTAINMENT WEEKLY: What has been the experience of enjoying the story play out on TV and seeing how quickly our world is changing in genuine time?

JOHN LOGAN: It’s been unnerving and eerie due to the fact that a lot of the themes of the program are being echoed in the streets outside my window. In our last two episodes, we have a person of color being lynched by the police and after that a serene protest march developing into a race riot. But this show was always indicated to be about 2020, whether it’s set in 1938 or not. It is so clearly, inescapably about this minute now that, in such a way, I’m pleased we’re talking to the moment and to individuals who are residing in this world.

Do you believe now you have a different relationship to the story you composed?

Yeah, definitely, because when you’re planning and writing in the writer’s room and recording, it’s all extremely theoretical. If you’re developing a masterpiece that you hope will speak with people and after that as the world modifications so dramatically in manner ins which align with your storytelling, it simply makes you even more familiar with your responsibility to be understanding, to be understanding, and to deal with complex issues in complex methods. In the author’s room, we were constantly very cognizant that we were handling provocative racial issues and we attempted to do it properly. However as present events have taken place, I’m glad we took the time to try to do it with sophistication and with some sense of honesty.

What were your conversations like in the author’s space to make sure you were doing those scenes justice?

The program was constantly intended to be about the complex racial and political landscape of Los Angeles in the period, and it was a duration where, if you were Mexican American or Latino, you were thought about less than human. We were conscious that, if you reveal a person of color being lynched by the police force, you’re making an extremely bold and intriguing statement about what the world is, what the world was then, and sadly what the world is now.

Existed anything you intended to be an exaggeration of current events that ended up mirroring reality too carefully?

It was constantly based on reality, on what was constantly going on in1938 The fact that it is still so genuine is what is troubling about it and what makes shows like this so definitely required.

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I understand season 2 hasn’t officially been announced and who knows where the market will be when we figure out this COVID scenario. Has your viewpoint on how this story continues altered, given anything that has taken place in the world given that the program premiered?

Of course.

For the entire season, Magda has been this Devil on your shoulder, egging you on.

Due to the fact that I believe it was so incendiary. I believe the emotions and violence reached such a degree that she felt direct action was needed.

Magda has actually been entrenched in human affairs for so long and is becoming more horrifically human. Do you think that contributed to her action in that moment?

Yeah, well said.

I was always curious if there was a reason for why she chose the people that she did to manipulate. They all, similar to her, are not who they seem on the surface.

Magda is extremely tactical, looking over the landscape of the world and choosing Los Angeles and choosing individuals she picks to affect– some politically, some personally, some socially– but fairly, it’s all very tactical. Like a master chess gamer examines the entire board, reaches forward, and moves a rook one space. She’s not a puppet master, she’s a chess player.

Natalie mentioned that Magda does not manipulate female characters in the show. Exists a factor for that? Is that something you’re thinking of for season 2?

I’m definitely intending on moving more into that for a potential season 2. That’s all I can inform you.

What does Magda make from Tiago, given how he’s been touched by Santa Muerte, whom she hates?

The penultimate scene is Tiago in the graveyard, and Magda for the very first time touches and speaks to him. I believe that’s the case with Magda and Tiago.

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In the final minutes of this season, Tiago is talking about how this isn’t the United States that he knows.

You could’ve ended the season on Magda talking to Tiago in terms of, “Aha! The program’s meant to be about society and the whole city of Los Angeles and, hence, America.

Molly takes her own life in the finale and Tiago does not take that well. What can you say about the state that he remains in now and the stage you’re wanting to set with him?

I think he’s older and wiser. I think some romantic ideas have actually most likely been removed away, I think the easy out of love has actually been cut short by the truth of the intricacies of the world and the other characters, and I think he’s all set for fight.

Have you had any official discussions about season 2 with Showtime at this point?

No, it’s a little early for that.

Related content:

Entertainment News –
Penny Dreadful: City of Angels.

  • TV Program
  • Drama
  • Horror
  • John Logan
  • Showtime

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